Earlier, we have repeatedly described the protracted tragicomedy concerning the Crimean real estate of the singer Sofia Rotaru, namely her hotel “Villa Sofia” in Yalta and a mansion in the seaside Nikita.
The essence of the issue comes down to the fact that this property, allegedly “rewritten” in the “registers of the occupiers” to the singer’s son, Ruslan Evdokimenko, the pop diva’s family is in no hurry to sell, but Rotaru does not come to occupied Crimea either.
Such obvious, albeit silent, expectation naturally irritates the collaborators, a number of whom have already managed to make PR for themselves on the demands to “transfer the mansions to those in need”, mainly in the form of themselves.
But at the same time, the Crimean “authorities” are not yet risking “nationalization” of the property of the singer with an extensive “Soviet trail” and a bunch of “secret admirers” in the Kremlin. However, as it has now “suddenly become clear”, they are also using more “subtle” methods.
The other day, the “Crimean media” decided to tell the population about the “trial of the century”, in which a certain anonymous neighbor of Rotaru’s house in Nikita decided to “clarify the boundaries of the plots in court”, “legalizing” for herself part of the territory of the famous neighbor.
What will the occupiers do with the “new owner” of part of Rotaru’s family mansion is a rhetorical question.
In the meantime, the aforementioned “media” habitually pours slop on the Rotaru family, although they were forced to admit through clenched teeth that in the neighborhood of the singer’s house, where “someone is clearly keeping order,” “there are trimmed trees, an ideal lawn and well-groomed palm trees,” local lovers of the “Russian world” and “nationalization of the rich” have gradually “created a real garbage dump.”
